Toronto website BlogTO posted a review of Joe Matt’s new graphic novel Spent on Sunday. Unfortunately, they were not big fans of the book:
“Spent" by Joe Matt is a little book with big problems. It’s about a self-loathing, chronic- masturbating, penny-pinching comic book artist who is writing a book about a self-loathing, chronic-masturbating, penny-pinching, comic book artist. And it does a pretty good job of encapsulating everything that is wrong with underground comics.
Ouch. Joe Matt is clearly not for everyone, and sadly not for Ryan at BlogTO. For a more positive look at Joe Matt, I’d suggest taking a look at the recent New York Times article about reprint comics discussed in this earlier post, or the Drawn & Quarterly website.
By the way, BlogTO are jumping the gun a little with their review. Spent is not published until May.

This is a common complaint about this book - that the story is loathsome and vapid and meaningless autobiography - and it generally misses the point, which I believe is what Joe Matt intended. The person responsible for the BlogTO review has probably only recently begun reading graphic novels and likely has only a passing acquaintance with underground comics.
Here’s the thing about ‘Spent’. It’s a story that nobody wants to read. It’s a long story about an oblivious, self-obsessed, vain, needy, arrogant jackass of a comic artist and his lazy, porn-fueled bouts of self-doubt usually occurring in his sketchy rooming house apartment.
Sounds like a blast, right? I’m sure D&Q are having a hell of a time keeping up with those urgent orders from book clubs nation wide.
But, like many a great book before it… the story is just a story. Or there is no ‘story’, this isn’t Alex Haley’s ‘Roots’ for crying out loud. The story of Spent is the vehicle Matt uses to tell us about the world around us - specifically Toronto in the 90’s but it’s fairly universal stuff if you can imagine or extrapolate beyond the frames on the page.
It’s all set-up, subtext and commentary. And it’s very good at all of these things.
This is an important book because it challenges the reader to see ‘Spent’ - and others - not just as some bastard subcategory of acceptable literature but as a vital, humorous work of art that speaks to the world at large.
But Joe Matt would never give you a story that isn’t at first completely repellent. That’s just his style and to dismiss the work because your first impression is disgust is both typical and unfortunate.